REALITY IS BETTER BY FAMILY STROKES NO FURTHER A MYSTERY

The delightfully deadpan heroine at the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his personal novel of your same name, could be compared to Amélie on Xanax. Her working day-to-day life  is filled with chance interactions plus a fascination with strangers, though, at 27, she’s more concerned with trying